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The
Fine Print Process:
For fine art photographic prints, digital printmaking has
become the new standard of quality. Digital
scanning and printing technologies allow photographers to
fine-tune colors and tonal range, and dodge and burn areas
of a photograph with greater ease and accuracy than even Ansel
Adams did in his traditional darkroom, surpassing traditional
printing in quality and longevity. With proper color calibration
and ICC color profiles matched to the output printing device,
photographers previously unfamiliar with color printmaking
now achieve the print quality of master printmakers. The prints
exhibit incredible vibrancy with richly saturated colors,
great depth, edge-to-edge sharpness, and a range of tones
matched only by the original. Since printing is done by color
lasers controlled by digital code, multiple prints of an image
will match exactly, regardless of size. And, unlike traditional
printing, where colors and contrast flatten and grain increases
with enlargement, the radiance of a 30 x 40" digital
print will match that of an 8 x 10" print. Little or
no graininess is introduced during enlargement.
Mark
uses 35mm, 6x7cm medium format, 4x5" large format, and
6x17cm panoramic format cameras, and a 6-megapixel Nikon D70
digital camera. His medium, large and panoramic format images
are wet-mounted and scanned on a commercial service bureau's
high-resolution drum scanner. 35mm images are scanned either
with this or a film scanner. The resulting digital files are
stored on CD's and imported into his digital darkroom, Adobe
Photoshop, on either a Macintosh G3 or iBook computer. Mark
uses ICC color profiles to accurately manage color within
each image. Once a master digital file has been created, it
is printed in-house or sent to a commercial lab for printing
on a Cymbolic LightJet 5000, the highest quality printing
device available. It uses color lasers to expose Fuji Crystal
Archive paper. This paper exhibits the best color fidelity
and tonal range of any currently available. Under normal viewing
conditions the prints will retain their brilliance for over
100 years before noticeable fading or color shifting. That's
about four times longer than present Kodak papers. Mark also
produces true photo quality prints up to 12 x 44" on
an Epson Stylus Photo 1270 printer in his studio. He uses
archival paper with longevity rated at about 20 years. We
offer these prints as a less expensive alternative to the
LightJet prints.
Matting
& Framing:
Signed prints may be purchased double-matted and framed. We
use only conservation quality matting and framing materials
for years of vibrant display. Prints are typically double
matted using acid-free white ragboard. Custom mat colors that
complement the colors within a print or that match your decor
are also available. Please inquire for details. We use Nielsen
anodized metal and hardwood frames. You can select whichever
suits your taste.
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